QUOTE (aditya-now @ Sep 1 2010, 22:47)

I think it´s the first time ever. No other driver had a feature-length movie in his name.
We had "Grand Prix", "Le Mans", then this Italian production from 1979/1980 which came out only in Italian, as far as I am aware of ("Pole Position" was the title I believe) and finally this unspeakable Silvester Stallone production "Driven", but I do not recall any movie focusing on one driver only.
Ahhhh, the D word. I think that any reference to that film should be banned.
After listening to this interview, I'm quite curious of how this is actually being done.
http://pankfilm.wordpress.com/2009/06/17/d...james-gay-rees/Ok this might sound a bit daft (but I am Mandzipop so I can sound daft

)
Something simple. Incident, Senna gets out of the car, storms through the garage and slams the door shut. They don't have an actual continuity footage (and it might not have even have happened), so we see the actual footage of him getting out of the car. Then we see him walking through the garage, then we see a shot of the other side of the door where it is slammed shut. In realtime, these incidents of opening the door and slamming it shut happened 6 months apart, but they have put it together in a way it looks like a normal movie scene. Just think of how a movie is actually shot. It is not in sequence.
Also looking at the quality of the pictures of the film, I'm getting the impression they are doing something along the lines of Cinema Paradiso. The picture quality starts off fairly poor, and gets more and more up-to-date to make it apparent of the timescales. If they were using I suppose the word is scenes, out of context in a true chronological order, then they would have the facility to enhance the picture quality.
That is how I would do it. It doesn't mean everything is factually correct. But when you make a film, you have a script and the actors say the lines. In this particular film, you want the same effect but you cant ask the actors to say those lines, so you have to find them saying the lines to make a seemless flowing film.
Listening to what the producer says, what James Allen says and what I have seen as the trailer, that to me looks like what they are trying to achieve. That way they could use footage to have a bigger impact. They may have sufficient footage to create scenes that dont actually exist, or never actually happened. But if the footage is there, they could technically create them.