QUOTE (gio66 @ Mar 30 2011, 20:15)

I was there.
Gio, wow. Unbelievable that you were there on that day. So odd that you were not feeling well either, but the reaction of the crowds I believe was predictable.. It meant a Ferrari got even closer to winning. Do you have any pictures or videos that you guys made that day?
QUOTE (Coral @ Mar 29 2011, 21:17)

Couldn't agree more.
Gold

Thanks so much for the appreciation of my small contribution guys. It's nice to know that the information I've gathered over the years still holds some meaning to others.
In the mean time I had a chance to see the 2h40m version.
****massive spoilers***
I thought that being an hour longer than the original it must have more footage, maybe even what I thought was missing from the original cut? A longer Senna movie?

Alas. The additional hour consists of no new footage but is comprised entirely of intersparsed talking heads. Journalists, Ron, Prost, etc. explaining their thoughts throughout. The "content" of the movie is unfortunately identical. While it is a great shame that the cut itself contains no new footage it is still a very welcome "different version" and it is truly a priveledge to hear the insights of the people involved. The private thoughts that Ron and Alain share with us particularly are amazing to listen to. On the other hand, I believe it is repeatedly the same 5 people talking. Bisignano, an English journalist, A Brazilian journalist and Ron Dennis and Prost. It can at times feel quite slim.
The only thing I personally can hope for is that further cuts really will feature a longer version of the actual movie in special/directors/unlimited editions etc. To be honest the possibility to milk the market (racing enthousiasts) is frightening. No new footage needs to be shot, it all exists out there anyway. They could release this movie once every 4 quarters with an added interview or footage of Senna and people will buy it again. Talk about low investment costs and an absurd ROI.
The cynic in me says that the costs of the rights to use the footage were high in the first place (much less than the cost of interviewing talking heads) and that I should not hold out hope for a "real" longer version of the movie and that Kapadia and Pandey would like a quick buck with maxed out returns on investment. But the optimist in me thinks that when the Senna team said they went through hours and hours of footage to distill this film to the 104m it is now that they will make at least 1 (and hopefully more) versions available that include more footage than the current original. I hope that DVD / Blueray extras will feature a lot more footage as well.
All in all I do like the movie (prefer the 104m version). I do like it but I was not amazed. In the end it comes across to me as too clinical and devoid of emotion. Like a somewhat sterile account rather than a screenplay (which Senna's story most definitely is). And that is taking into account the specific shortcomings I mentioned in the previous post, there was a -lot- more emotive footage available to choose from.
Amongst others Sid teaching Senna about medicine, Senna jumping out hitting the killswitch and holding Comas' head steady just like Sid taught him until medics arrived, etc. Senna jumping out and helping Zanardi at Eau Rouge, lol Senna hosing down the entire Monaco Royal family (the King included) with champagne and the guards freaking out. There was just so much more.
Also Imola, the whole ending section on Imola and Senna's death was devoid of any real emotion. The only real emotional punch was misheard (when Senna is on the grid at Imola and the voiceover describes that God is going to give him the greatest gift of all, himself. I read "himself" as in giving Senna the gift of being a legend. Giving him "Ayrton Senna".)
You can argue that that is an artistic choice, fair enough, I was not the one who made the movie.
But what definitely contributes to the cheap/budget feel of this production (apart from the usage of archive footage of which higher quality versions -were- available, that really is inexcusable) is that the only shots that are made to convey to a broad audience what it is that Senna actually -does- i.e. driving are edited wrongly.
The things most people will look forward to are the onboard videos. To see what exactly made Senna special. I was dying to see the infamous 1990 Monaco pole lap. You know the one where he single handedly slides the car around Loews. I was dying to see that remastered, cleaned up to the best available standards using 2010's technology, on the big screen. Alas, it is not there.
You do get great onboards from Jerez and race laps (slightly slower less impressive and not cleaned up or remastered) around Monaco, but the overriding problem is that the audio is not synced with the video. That really kills the whole "punch".
A broader audience might not realize it (I see a racing car on the screen and I hear racing car sounds) but anyone who can drive a car and is expecting to see Senna drive to see what makes his driving so special and sees an onboard at full acceleration while the sound is of a car braking very hard and downchanging will feel cheated. That really does make it feel very cheap.
All in all I do like it, it's a masterpiece in some ways (rare footage, editing, feel, atmosphere) it is magic. But in other ways it is a let down; emotional punch, storyline, choice of impact footage, incorrect onboard video and sound editing.
But that is as I see it in its current form. There is always room to correct these things, I mean; it's not like the producers have to go and film new material, the footage is all there already.
But until that happens the most emotional Senna video for me remains the 45min Antii tribute (540mb). It is fan created and is therefore free yet contains very rare footage aswell. The advantage over the 2010 documentary apart from the emotional impact is that it contains Senna's best racing footage, and contains amazing music (fomr Eye of the Tiger to Hans Zimmer to Pavarotti, it really is an amazing cut). A trailer for this can be seen here:
http://www.dailymotion.com/video/xihrmc_ay...e-trailer_sportPS: To be very open I actually had quite extensive email correspondence with Asif Kapadia in 2009/2010 after the first edit of the movie had been completed and it was in post production. I had offered him review advice and help in any way that I could (free of charge). He did ask me some questions on what I thought caused the accident and my opinion of Prost and offered me an option for a prescreening where I could offer an opinion on what they had, but he never did follow through with his promise.
I wish I had been able to get a hold of Manish Pandey instead.
~Emre